Things You Might Not Know About 'The Sandlot'In a sweltering New Orleans, a wilted Southern belle collides with the dysfunctional marriage of her sweet sister and brutish brother- in- law. This is the plot of Tennessee Williams's classic play, A Streetcar Named Desire, which opened on Broadway in 1. But the story of its making and legacy is even wilder than Stanley Kowalski's screaming. WILLIAMS SET THE PLAY IN HIS CHOSEN HOME.

The boy born Thomas Lanier Williams III lived in Columbus, Mississippi, until he was 8 years old. From there, his traveling salesman father bounced the family around Missouri, moving 1. As he forged a path of his own, Williams wandered from St. Louis's Washington University to the University of Iowa to the New School in New York City, and even spent some time working on a chicken ranch in Laguna Beach, California.

But at 2. 8, he found his “spiritual home” in New Orleans. There he officially changed his given name to the college nickname he'd come to prefer.

Inspired by the culture of the French Quarter, he wrote short stories and what would become one of his most popular plays. There he became Tennessee Williams, in more ways than one. A STREETCAR NAMED DESIRE WAS NAMED AFTER A REAL STREETCAR LINE. Named for its endpoint on Desire Street in the Ninth Ward, the Desire line ran down Canal Street onto Bourbon and beyond. It operated from 1. Broadway, it was retired in favor of buses that were quieter and put less stress on the streets and surrounding buildings.

Gone but not forgotten, one of the Desire cars was restored in 1. In 2. 00. 3, the city even proposed resurrecting the streetcars and this famous line's name, but this dream died when federal funding was denied. STANLEY KOWALSKI WAS INSPIRED BY TWO MEN. The name "Stanley Kowalski" was borrowed from a factory worker Williams met while living in St. Fists In The Pocket Full Movie Online Free. Louis. But the playwright's true muse was Amado ‘Pancho’ Rodriguez y Gonzales, a Mexican boxer who was once Williams's lover, and who argued the character he inspired should be Latino, not Polish.

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Ten years his junior, Gonzalez met Williams when the writer traveled to Mexico City in late 1. Entranced by the macho 2. Williams invited Gonzalez to move into his New Orleans home. Their relationship lasted only two years. By the time Streetcar Named Desire hit Broadway, Williams had moved onto who would be the love of his life, aspiring writer Frank Merlo. BLANCHE MAY HAVE BEEN A STAND- IN FOR WILLIAMS. As an gay man, the writer had been mocked all his life, called "sissy" by sneering peers, and “Miss Nancy” by his drunken, abusive father.

In some respects, he was like Blanche, a gentle Southern soul, thirsty for love and kindness, yet dangerously fascinated by gruff men. Elia Kazan, who directed both the original Broadway production of Streetcar and its movie adaptation, once said of Williams, "If Tennessee was Blanche, Pancho was Stanley…. Wasn’t he [Williams] attracted to the Stanleys of the world? Sailors? Rough trade? Danger itself? Yes, and wilder. The violence in that boy, always on a trigger edge, attracted Williams at the very time it frightened him.”The closest Williams came to commenting on this comparison was saying of his work, "I draw every character out of my very multiple split personality. My heroines always express the climate of my interior world at the time in which those characters were created.”5.

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A STREETCAR NAMED DESIRE WAS WILLIAMS'S SECOND BIG BROADWAY HIT. In 1. 94. 5, Williams broke through with his groundbreaking autobiographical drama The Glass Menagerie. Just a year and a half after this acclaimed production closed, A Streetcar Named Desire opened to even greater praise. Reportedly, the standing ovation lasted for 3. THE PLAY WAS DRASTICALLY DIFFERENT FROM ITS BROADWAY CONTEMPORARIES.

In her historical essay on Williams, critic Camille Paglia notes that the A Streetcar Named Desire was a total change from The Glass Menagerie. Where the former had a "tightly wound gentility," the latter boasted "boisterous energy and eruptions of violence." But more than that, "Streetcar exploded into the theater world at a time when Broadway was dominated by musical comedies and revivals." She adds, "the shocking frankness with which Streetcar treated sex—as a searingly revolutionary force—was at odds with the dawning domesticity of the postwar era and looked forward instead to the 1.

IT CEMENTED WILLIAMS'S REPUTATION AS A MAJOR VOICE IN AMERICAN THEATER. The New York Times critic Brooks Atkinson proclaimed, "Mr. Williams is a genuinely poetic playwright whose knowledge of people is honest and thorough and whose sympathy is profoundly human." A Streetcar Named Desire went on to run for more than 8. New York Drama Critics' Circle Award for Best Play. Jessica Tandy earned a Tony Award for originating the role of Blanche, and Williams was honored with the Pulitzer Prize for Drama. STANLEY KOWALSKI LAUNCHED MARLON BRANDO. At 2. 3, Brando was a method actor who was drawing praise in a string of Broadway roles.

The year before A Streetcar Named Desire debuted at the Ethel Barrymore Theatre, New York critics had voted him "Broadway's Most Promising Actor" because of his powerful performance in Maxwell Anderson's Truckline Café. His portrayal as Kowalski delivered on that promise, and then some. Playwright Arthur Miller wrote that he seemed "a tiger on the loose, a sexual terrorist … Brando was a brute who bore the truth." And this intensity was captured in the 1. Oscar nomination for what was only his second film role. A STREETCAR NAMED DESIRE REDEEMED WILLIAMS'S HOLLYWOOD REPUTATION. Following the success of The Glass Menagerie's Broadway run, Warner Bros. Watch Mccabe &Amp; Mrs. Miller Online. Williams to draft an adapted screenplay for a movie version.

But seeking a more commercial offering, they hired another writer to tack on a happy ending, behind Williams's back. The result was a critically panned dud that the playwright denounced as a "travesty." Nonetheless, Williams returned to Warner Bros.

A Streetcar Named Desire. This time, however, the director and most of the cast from the Broadway show were kept on for the film, which went on to earn an impressive 1. Academy Award nominations, winning four, including Best Supporting Actress (Kim Hunter) and Best Actress (Vivien Leigh). JESSICA TANDY WAS THE ONLY LEAD OF THE BROADWAY NOT CAST IN THE MOVIE. Hollywood didn't care about her Tony or her rave reviews.

Warner Bros. needed a big name to assure the film's success. So Tandy was dropped in favor of Leigh, who'd played the role of Blanche in a London production of A Streetcar Named Desire, but more importantly who was a household name thanks to her first Oscar- winning role, that of Scarlett O'Hara in 1. Gone With The Wind. THE FILM WAS TAMER THAN THE PLAY. With mounting pressure from a public concerned about the influence movies have on children, Hollywood created The Motion Picture Production Code, a series of guidelines about what was acceptable and not in film.

Thus, A Streetcar Named Desire's movie adaptation was forced to tone down some coarser language, and cut some of its most scandalous elements, like Blanche's promiscuity and her late husband being a closeted homosexual. For instance, in the play Blanche demands of her sister, "Where were you?

In bed with your pollack!" In the film, she says, "In there with your pollack!"1. WILLIAMS FOUGHT TO KEEP BLANCHE'S RAPE FROM BEING CUT. Following their climactic confrontation, the play implies Stanley rapes Blanche. But Warner Bros. felt this was too dark for the movie.